1876-1899

Debut of the Capitol Guide Service

engraving of an early Guide pointing with a walking cane while talking to a group of 3 visitors
An early Guide points out features in the Rotunda of the Capitol. This room is a highlight for many visitors today. U.S. Senate Collection.

Since the opening of the Capitol in 1800, visitors flocked to the iconic building to engage with Congress and explore the art and architecture. Local residents, styling themselves as guides, shepherded tourists through the Capitol corridors. However, without standards in place, enterprising individuals often took advantage of the sightseers. 

With increased visitation during the country’s Centennial celebration in 1876, Congress established the U.S. Capitol Guide Force, later called the U.S. Capitol Guide Service. Under the jurisdiction of the U.S. Capitol Police, the Guides provided a professional level of service and became the public face of Capitol tours.

Unlike today, Capitol Guides were not government employees. They offered tours for 25¢ per person (about $7.70 today). They provided context to the expanding statue collection, decorative paintings and the legislative process. 

Soon the Guides began to wear uniforms similar to those of the Capitol Police: black coats and hats and crisp white shirts. One key difference was their badges. While the police badges were star-shaped, Guide badges were more shield-like, perhaps symbolic of the American shields found throughout the building.

side-by-side comparison of the 19th century U.S. Capitol Police officer and U.S. Capitol Guide uniforms
Compare the uniforms of the U.S. Capitol Police officer on the left and the Capitol Guide on the right. What similarities and differences do you see? Library of Congress.

A Capitol Visit 

How did visitors travel to the Capitol? In 1876, horses and carriages were commonplace on the streets of Washington, D.C. A system of horse-drawn streetcars was growing across the city. Two different train stations were only blocks from the Capitol.

During the nation’s Centennial celebration, visitors to the Capitol would have seen many things. Thanks to landscape architect Frederick Law Olmsted, trees and flowers adorned the green space around the building.

In the Rotunda, John Trumbull’s paintings commemorating the American Revolution turned 50 years old. Workers might have been moving statues and art into place, as Congress authorized the National Statuary Hall Collection two years earlier in 1864. Each state can send two statues to the Collection, and three — Ethan Allen (Vermont), Robert Livingston (New York) and Samuel Adams (Massachusetts) — arrived during the Centennial period.

 Illustration of a gate on the U.S. Capitol grounds surrounded by pedestrians, a horse-drawn streetcar, and a steam locomotive.
The West Front of the Capitol was a bustling hub of activity as shown in this 1866 drawing in Harper's Weekly. Collection of the U.S. House of Representatives.
A teacher with students look at a marble statue in National Statuary Hall
A group of school children visit National Statuary Hall in 1899. Library of Congress.

A Heroic Rescue 

black and white portrait of Constantino Brumidi
Constantino Brumidi, the Artist of the Capitol, spent 25 years decorating the Capitol with frescoes like the Apotheosis of Washington at the top of the Rotunda. Library of Congress.

In this era, tour groups would pass by artist Constantino Brumidi and his team painting murals in the Rotunda and the Senate corridors — both areas visitors can still see today.

While working on the Rotunda’s “Frieze of American History” in October 1879, Brumidi slipped from his scaffolding. He caught himself on the rung of a ladder and was suspended 58 feet above the Rotunda floor for nearly 15 minutes before he was rescued by Capitol Police Officer H.H. Lemons and Capitol Guide George R. McCauley. Brumidi returned to the Rotunda to work on the frieze one final time before he died in February 1880, leaving another artist, Filippo Costaggini, to complete the work.

William Penn and the Indians in the Frieze of American History; William Penn is at the center gesturing to a box with the Delaware Indians on his left and right
When he fell, Brumidi was painting this scene, "William Penn and the Indians," featuring the Lenni Lenape nation engaging William Penn in diplomatic relations. If you look closely, you can see where Brumidi's work ended, and Filippo Costaggini's began. Architect of the Capitol.

Capitol Guides Spotlights

Newspaper illustration of Benjamin Stewart pointing next to a woman and a man
Newspaper Illustration of Benjamin Stewart. The Kingston Daily News, Canada, 1888.

Benjamin Stewart was born in 1825 at James Madison’s Montpelier plantation in Virginia. His mother, “Sukey” Stewart was the enslaved personal maid to First Lady Dolley Madison. Stewart worked various odds jobs prior to his service as a Guide from 1887 until his death in 1890. 

 

 

 

Newspaper illustration of Beaufort C. Lee
Newspaper Illustration of Beaufort C. Lee. The Muskegon Chronicle, 1890.

Beaufort C. Lee was born enslaved in Covington, Georgia, in 1859 and moved to Washington, D.C., in 1874. Lee first served as a general laborer around the Capitol, and then as a messenger to the House Ways and Means Committee. Appointed as a Guide in 1885, Lee served at the same time as his coworker and landlord, Benjamin Stewart.

One Kansas newspaper wrote, (Lee) “is always polite and gentlemanly.” He served as a Guide until 1901 and died in 1929.  

“My business is now guiding people around this Capitol…”

Benjamin Stewart, Guide, Evening Journal, Wilmington, DE, June 5, 1888
Illustration of visitors in the Rotunda.

“Every visitor receives due attention and is shown through the entire Capitol. The (Capitol Police have) determined to secure the services of a few intelligent young men, who do not belong to the force...as Capitol Guides.”

Evening Star, Washington D.C., September 8, 1876
Illustration of a Guide wearing a top hat pointing towards the ceiling while speaking to a couple and a young boy.

“The Capitol Guides...are useful citizens and in the whole world there are none like them.”

The National Republican, Washington D.C., January 10, 1883
Illustration of a Guide in Statuary Hall pointing towards statues while speaking with a couple.
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