History of Congress and the Capitol
This is the story of one of the world's great experiments in government by the people.
For more than two centuries, a new Congress has convened every two years following elections that determine all the seats in the House and one-third of those in the Senate. While the individuals change, the institution has endured-through civil and world wars, waves of immigration and great migrations, and continuous social and technological change.
The Congress we know today was created after the failure of a government under the Articles of Confederation, which left most powers to the states. In 1787, a convention of specially selected delegates proposed a new constitution that strengthened the national government and established a representative branch composed of a House and Senate.
From the beginning, the two bodies of Congress were meant to be different, yet interdependent. James Madison said they would be "as little connected with each other, as the nature of their common functions, and their common dependence on society, will admit." As a result, the House and Senate have different rules, traditions, and cultures. Yet in their shared responsibilities they function as the nation's single lawmaking body.
After the civil war, the country faced dramatic change as a landscape of farms and villages yielded to factories and sprawling cities. An abundance of labor and plentiful raw materials brought prosperity to many, and the image of the United States as a beacon of freedom and opportunity encouraged immigration from all parts of the world. Many workers, including immigrants, racial minorities, and children, however, often toiled long hours in dangerous conditions for little pay. By the turn of the century, reformers in Congress were pressing for new ways to make government more responsive to the needs of poor farmers, laborers, and urban dwellers.
By 1912, a nation of 48 states spanned the continent and was extending its influence overseas. With 10 new states entering the Union, the number of senators increased to 96 and the number of representatives to 435. As members of Congress moved into their first permanent office buildings, congressional service was becoming an increasingly demanding full-time occupation, a major change from the 19th century, when members seldom met for more than six months in each year.
The Capitol Campus
Presiding magnificently over an expanding and robust nation, the Capitol itself changed little during this period. The grounds, however, were a different story. They blossomed in the 1870s and 1880s from a disheveled construction site into a picturesque garden.
Perhaps the most noticeable change was a marble terrace that replaced the earthen embankments along the west front.
At the century’s end, the Library of Congress moved from the Capitol to a new building nearby. Shortly thereafter, Congress built additional office buildings for the House and Senate. These structures freed up space inside the building and ushered in a new era of a Capitol "campus."
The Summerhouse
Olmsted's picturesque retreat provided a cool resting place for visitors to the Capitol grounds.
Architect of the Capitol
View of the Capitol with new marble terrace, 1906
View of the Capitol with new marble terrace, 1906
Architect of the Capitol
Like a painting in a frame, a grand building deserves a grand setting. The Capitol grounds had suffered as a construction site while the wings and dome were built. They were also too small for the enlarged building. Senator Justin Morrill of Vermont spearheaded efforts to improve them, calling in Frederick Law Olmsted, father of American landscape architecture (best known for New York City's Central Park).
In 1873, Congress agreed to close sections of A Street north and south and bought two adjacent squares of land, bringing the Capitol grounds to 58 acres. Olmsted designed a marble terrace for the west front, arguing that the building looked as if it might otherwise slide off Jenkins Hill. The terrace, built between 1882 and 1892, also provided committee and storage space.
Washington Morning Times, November 7, 1898
Washington Morning Times, November 7, 1898
Serial and Government Publications Division, Library of Congresse
Aftermath of the gas explosion, 1898.
Aftermath of the gas explosion, 1898.
Architect of the Capitol
A violent gas explosion rocked the old north wing on November 6, 1898. Although electric lights had been introduced in 1885, gas was still the principal method of illumination. The fire that followed the gas blast almost spread to the roof. Some feared that the flames could have melted the great iron dome. Shortly after the disaster, the Capitol removed all its gas lighting and launched extensive measures to fireproof the building.
The roofs of the old north and south wings had been fashioned of wood covered with copper. Steel and concrete structures replaced them in 1901. Similarly, fireproof steel and plaster replaced the wooden ceiling over Statuary Hall. Joseph Rakemann decorated that ceiling in 1902, a work that has since been restored.
Library of Congress, Harper’s Weekly, February 27, 1897
This drawing was made shortly before the overcrowded library relocated from the Capitol to its spacious new home on First Street.
Prints & Photographs Division, Library of Congress
In the Capitol-Central Room, Library of Congress, engraving by Henri Lovie, Hearth and Home, September 13, 1873
The Capitol's library, famous when built in 1852–1853 for its iron construction, had become cramped and obsolete by the century's end.
Collection of the U.S. Senate
American creativity overflowed in the Capitol—literally. The Copyright Act of 1870 decreed that two copies of all protected works be deposited in the Library of Congress. The Library quickly was swamped with books, music, photographs, and other copyrighted material.
In 1886, Congress authorized a new Library facility. The Washington firm of Smithmeyer & Pelz designed a magnificent building, which opened in 1897. Its majestic scale, domed reading room, and vast galleries enriched with sculpture and murals instantly made it Washington’s most popular building.
At the Capitol, Congress decided in 1900 to rebuild the Library's former space, creating 20 new offices and committee rooms. Built of masonry vaults, like older parts of the building, they were decorated with murals designed by Elmer Garnsey of New York.
After 1908, each member of Congress was entitled to at least one room as a personal office.
Architect of the Capitol
Cannon House Office Building, Carrère & Hastings, architects, ca. 1908.
Architect of the Capitol
The Capitol seemed vast—unless you worked there. The building, though grand in scale, had only 56 rooms usable as offices. Most were committee rooms that chairmen could use for themselves. In 1891, the Senate bought an apartment building and converted it to offices. But this structure, the Maltby Building, proved unsound and quickly became obsolete.
By the 20th century, Congress's growing workload made finding more office space essential. Two nearly identical office buildings were constructed, giving every representative and senator a room or two. The buildings also included space for committees and support facilities, such as bathing rooms and telegraph offices. The House Office Building (now the Cannon House Office Building) opened in 1908; the Senate Office Building (now the Russell Senate Office Building) opened the following year.
Statue of Abraham Lincoln, by Vinnie Ream, 1870
When Congress commissioned this statue from Ream in 1866, she was only 18 years old.
Architect of the Capitol
Battle of Lexington, by Filippo Costaggini, 1881
Constantino Brumidi designed this scene in the rotunda frieze but died before it was painted. Brumidi’s work was completed by Filippo Costaggini in 1889. A final section was designed and painted by Allyn Cox in 1952–1953.
Photograph © 1993 Fred J. Maroon
On the outside, the Capitol remained largely unchanged during this period. Inside, however, various artistic projects were undertaken to improve the Capitol's interior. In the rotunda, Constantino Brumidi began painting the 300-foot-long frieze in 1878 with scenes from American history. Sculpture was originally intended for the frieze, but Brumidi was able to achieve a similar effect with paint.
After the death of Vice President Henry Wilson in 1875, the Senate commissioned a bust of its deceased presiding officer (the vice president is President of the Senate), displaying it in the room where Wilson had died. This launched a program to commission busts of all former vice presidents for the Senate wing. The House, in a similar tribute to its history, began commissioning oil portraits of former Speakers in 1911.
